03/2019
work stay & Exhibition
SalomonArts Gallery New York City
09/2017
Topic Cinema, first prints with cinema film containers
2017/18
Journey & Exhibition
OneArtSpace & SalomonArts NYC / Washington DC
01/2015
first works in molden steel
10/2013
work stay Haria / Lanzarote / Canary Islands
06/2013
Work stay | New York City
07/2011
Journey to London
07/2010
Journey to Malta
10/2009
Scholarship New York City
6/2009
EU Scholarship in Lanzarote, Spain
2007
First etchings on CDs
There was the desire to turn the signs of out time into something visible, like HTML, by traditional means. To point out man’s dependency on technology and computer languages intrigues me, as I use both in my everyday life. My initial inspiration was a HTML code for my first website about charts within charts.
2006
Educational Journeys to Crimea and the Ukraine
since 2004
Seminars in Salzburg: Artistic Essentials, Painting, Graphic Arts
since 2000
Close co-operation with Obergrabenpresse Dresden
1999
First sculptures, ceramic, later zinc wire with Japanese paper
1998
Birth of Daughter Pina Li
1998
Educational Journey to Crete, Greece
1996–2001
Study of Art Therapy in Hamburg with Frances Dupierry, Performance Artist from South Africa
1994
First circular objects with corrugated cardboard and Japanese paper
since 1993
Diary Pages-ink drawings, largely black and white, approx. 300 x 200, also 400 x 300 mm
... upon a dream about abandoning rectangular pictures, followed by the reduction of colour and the search of depicting “nothingness”. How to reduce everything by all means of visual arts, so that “nothingness” becomes tangible. The centre of my works is important to me. It should appear lucid, allowing the viewer to transcend through the picture. The square and the circle form a relationship. Between the centre and the empty spaces a landscape is generated, appearing tranquil or animated. Everything depicts the continuity of nature, man and space. Time is integrated as a new element. Beside all structures that illustrate certain states, the perception of time and space is a constant issue for me, as are their interactions and perpetual dialogues.
1992-1995
Birth, Illness and Death of her first daughter Clara
1990
Freelance Work in Berlin
1986–1990
Diploma Course in Graphic Design at Hochschule für Gestaltung, Berlin
Simultaneously: Courses in Painting and Sketching with Agathe Boettger, Christa Schuhmann, Wulff Sailer, Wolfgang Leber, Manfred Schubert
1984
First aquatints
1983–1986
Study in Painting and Graphic Arts at HfBK Dresden,
Prof. Claus Weidensdorfer
1980
First landscape studies around the city of Dresden
1979
At an exhibition, Süss is acquainted with the works of Eberhard Göschel, an artist who has influenced her to this day
teaching activity
Hochschule für Wirtschaft und Technik, Berlin
Seminars for creation and typography
Semperschulen, Dresden
communication design, creation, graphics, typography
Sächsisches Kultusministerium Dresden
development of the professional curriculum for typography,
Adviser
Fachhochschule Salzburg
Seminars in creation and creativity technologies
Akademie für Gestaltung der HWK, Dresden
Seminars to creation basics, typography
EU-Kongress Brüssel
International symposium to the architecture philosophy
of César Manrique
Kunstschule Mattsee bei Salzburg
Investigations and interpretations archeologics and typographics signs in Hallein culture (early Iron Age)
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